Sardonic Disconnection
14Oct/070

Something to Ponder

How is it that a book so slow to get going and so needlessly verbose becomes one of the supposed best books of all time?

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14Oct/070

Book: Writing Down The Bones

Follows on from Book: Writing Down The Bones.

30% good advice.
20% bad advice.
50% totally unbelievable anecdotes.

I should qualify that last one. The anecdotes in this book don't read like real events. They read like events that the author may think would be cool if they did happen.

I repeat: If you've read On Writing or Becoming a Writer then you really don't need to read this book. If you haven't read either of those then please do so.

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13Oct/070

Change

I am more than I was,
Mere moments before,
Yet I have far to go

How do I grow,
So much in so little time,
This is my challenge

I can see my prize,
The goal is there for the taking,
We shall be what we can

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13Oct/070

Writing My First Script

My first homework for my script writing class is to write a three minute script in which someone discovers something. It's an interesting idea as it immediately puts you in the mind of a mystery and tempts you to make the discovery as shocking as you can. What was really interesting for me was the difference between writing a script and writing prose.

1. Description is minimal. So long as you've got an idea of what is going on in a scene the extra little details you have to put into your prose to make it more real. The world does that for you.

2. Dialogue must be efficient. I was once told that dialogue in a script should push the story along, delineate character, give necessary information, set up or pay off a joke or indicate a sub-text... and nothing else. Rather than let the character speak for themselves and ramble as they tend to do in my prose I had to carefully look at each line and determine its value.

3. What happens is all that matters. Camera angles are not for you to determine.
While you may have an idea of how a scene would look in your head you have to push that to one side in favour of what your characters say and do.

4. Timing is everything. The homework is to write a three minute script and I've been acting it out in my head and counting the seconds in each scene to give myself a better idea of what this actually means.

Edit: 5. The ever wonderful Scrivener makes formatting a script a breeze.

Also the other part of my homework (watching movies) has gone really well this weekend. I caught Black Sheep (everything you could want from a killer sheep movie), Superbad (the Citizen Kane of dick and fart movies) and Memento (still not sure I get it all).

I also discovered that writing a haiku in English is so totally not about syllables...

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12Oct/070

Fishmen

Far oceans beckon,
Bored of life on the seabed,
We rise for revenge

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12Oct/070

Third Draft

I finished the third draft of the Derek short story last night. I'd been really dreading it since it was going to involve taking feedback and (red pen) comments from three different people as well as completely changing the ending (including the way the characters end up feeling). Once I got started the process went pretty smoothly. I rejected a fair few comments. Not sure whether that's a good or a bad thing, but there were certainly lots of improvements made as well. The ending flows much more naturally now and I'm a lot happier with how the whole thing hangs together.

It's been sent out for comments and my deadline of 31st October is looming...

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11Oct/070

Scroll

Old paper rustles,
New eyes hasten and consume,
Old words are set free

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11Oct/070

Broken

Reality breaks,
Fluid thoughts dive beneath,
Subconscious terror

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10Oct/070

Soilwork

Harsh notes yanked backward,
Turning over on themselves,
Flowing alongside

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10Oct/070

MA Class: Script Writing

We started the script writing module last night. After brief introductions we were thrown in what I thought was the deep end.

The tutor, Georgina, split us into pairs and asked us to spend twenty minutes writing an outline of a fairy tale using no dialogue or text at all. I really enjoyed the exercise and did feel like I got a lot out of it. It was good to be forced to think of ways to represent and emphasise things without explicitly saying them.

We also talked about how we'd come to be in the class and what kind of films we enjoy watching. It turns out the class is going to be more film script writing rather than TV script writing, which suits me perfectly.

Our homework is to watch short films online, go to the cinema and to write a three minute script in which someone discovers something. I think I'm going to enjoy this course!

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