Script – Draft One
I just finished the first draft of the script. The outline was very useful and should compress down into a treatment without too much trouble. The script itself is currently thirteen and a half pages. I've got a fair few scenes so I'm thinking more action and description is needed to try and pad it out to my fifteen page target. When I acted out the outline the timings were pretty much spot on. That can be a job for tomorrow. I also need to go through a bunch of notes I made during training today, read through Michael Eaton's class notes again and go through and make sure the whole thing reads well.
I've learned a lot about script formatting while doing this. I'm not confident I've got it entirely right but I don't think it's going to get me marked down much. Scrivener has been an awesome help in getting it looking right as has my script tutor, the examples he sent and the myriad of helpful stuff found online. The other thing I need to do is make sure all the action is written in a consistent voice and that I refer to the characters in a consistent manner (eg. he, Danny, it, stuff, thing etc). Again, those are jobs for tomorrow.
Right now, I'm going to give the script a break and edit Derek some more. I'm sending it off again! You know... Because I like polite rejection letters...
Adaptation Update
I finished the outline. It's a little too detailed to be called a treatment at the moment but it serves to remind me what's going to go into each scene. Then I sat at my desk with a stopwatch application and acted it out (roughly). The timings are dubious to say the least and I think it's turned out somewhat shorter than I expected. Now on to the script stage and we shall see what we shall see...
Adaptation Outline
After much worrying and general anxiousness about the whole thing I finally finished the outline for my adaptation last night. I've managed to make a bunch of notes as things have progressed so I'll have something to talk about in my commentary. It's immediately obvious that act three is very busy compared to the two previous sections. There are a few sections I can probably cut (I'm still working towards a 20 minute script) but I'm going to see if some scenes could be moved further forward in the story. I'm working from a very "matter of fact" piece so I'm going to see if I can move the more shocking/less pleasant parts further along so I can have more a building sensation throughout. I need to go through the notes I made during Michael Eaton's lecture. I need to make sure I'm demonstrating enough of the skills he thinks are required.
Now I've made some progress I'm happier and am feeling less anxious as whole. Good stuff.
It’ll Be Okay…
I've come to the conclusion that if there's one feeling my writing should evoke it is this: "Everything will be okay."
It doesn't matter what tragedy occurs in the meantime. So long as those words are spoken at some point in contrast then the work hits me right there. And by there I mean right behind the eyes. Where it's really felt.
Wrong Things
Long lost update. The script saga goes on. I have now clearly defined what I'm doing wrong: My story is informing my characters and not the other way around. I need to go deeper. I need to know more. I need to live with them in my head. Then I need to crash them into one another. Then hopefully people will laugh. Haha. Funny. Haha.
The Closest I’ll Get…
Fantasy books have quests. It's fact. Very few of them manage to avoid romanticising the acquisition of a particular shiny object to the point of obsession. Something is lost. Something important. It has to be replaced. In real life things are rarely that dramatic but often mirror the pattern.
So last year I lost a watch. It was the an Animal watch that I bought with the money I got for doing well on my GCSEs. Big, red, shiny and awesome. I wore it for a long time, wearing out strap after, supposedly indestructible, strap. It kept perfect time and only a bad habit I picked up finally stopped me from wearing it (I kept breaking strap pins). Then last year I found it again, got a new battery, took it to London and promptly lost it either in a tube station, my friend's house or a bar. It was a big thing, the watch being the closest thing I had to an heirloom.
So come October my mum asks me what I want for my birthday. She asks if I want a watch. I say yes. We look at a few posh ones. I see some fancy looking titanium thing. But there's something nagging at me. The idea itself is wrong. The watch is too far removed. So I go online, ebay. There's a lot of Animal watches, some of them insanely ugly, others pretty cool and a few more that're exactly what I'm looking for. But there's something I didn't count on. In the decade since I got mine, Animal watches have become something of a collectors item. They don't sell for huge amounts (unless really rare) but they're desireable enough for people to snipe the hell out of me. It takes me two months of bidding to finally win one. It's a sleek black thing, and a lot smarter in real life. It arrives. Good news.
But it's not quite right. The strap is rubber and the notches aren't quite in the right place. The thing is either sliding all over the place or leaving marks all around my wrist. No problem I figure. I'll just go to my local skate shop and pick up a new velcro strap. Nope. Animal watch straps are sold out all over Nottingham. No problem I figure. I'll just go online and order one. Nope. Animal watch straps are sold out everywhere. That is unless I wanted a bright pink and yellow one... Ugh.
I go back to town. I search more sites. I get very random advice from some random guy in the street that takes me to a market stall who just happens to have sold out as well. Then last week. It's 2am or something awful. I go to the last site on the list. I find a strap. It's black. It's got the soft padding. It's on clearance and only costs £5 including £3 postage! It arrives. Job done?
Hah! To get the rubber strap off without destroying it involves a bit of (even more) bent wire, the snapping of two needle files and finally the modification of a safety pin ornament from Turkey. But it worked! The watch was assembled! More important, it was comfy!
Kind of a sad little story to anyone except me. But I don't care. Finally putting that watch together was satisfying. Wants, obstacles, complications, needs. That's the lot.
Okay Destiny
I thought it might end. This whole up late, never rest thing. For now at least, I guess it won't. Not till Friday anyway. Not till we get all these submissions in. I really need to work on my script stuff but I need to know I've made my submission as good as I can. It's hard though. Asking for feedback is difficult. Receiving it? Acting on it? Those are the easy parts. So for now I'll be up till two thirty. Up for work too. I wonder if tomorrow will be the day I sleep through my alarm.
Five Ways I Raise My Vibrations
Five ways I raise my vibrations:
1. Eating. It's not comfort food. It's motivational food. I always feel better and therefore more likely to write when I've eaten something tasty.
2. Hot drinks. One mug of milk. One microwave. One jar of coffee (or hot chocolate). When I sit down to write I like to have a hot drink to hand. It's a ritual that helps me focus.
3. Exercise. It's easy to dismiss exercise as something other people do but I find endorphins seem to be accompanied by ideas and ideas = stuff to write.
4. Talking. When I write I invariably have one or two people on messenger chatting away. I like to be able to fire ideas at them or just commentate on my own thoughts.
5. Sleep. That time when you're not quite awake and your thoughts start to collide is one of the best times for ideas. I keep a notebook by the side of my bed as ideas have a tendency to develop on their own.
Just as mundane as anyone else. I can't be bothered to tag anyone else... If you read this feel free to tag yourselves!

Toppling
So I met my deadline. The adaptation is handed in. It wasn't even that stressful. I had something hand-in-able on Saturday night but I still spent Sunday and part of Monday making changes and adding bits. It was a bulky bugger too. 2 x 15 pages of script, 2 x 9 pages of prep work and 5 pages of sample. It only just fit in a single plastic wallet. The worst part was actually handing it over and the feeling didn't go away till much later. Weird. Oh well. I hope it passes!
I got home and made a new to do list. Tomorrow I'm back on script and character work. I've got to get my arse in gear since there's only two months till the final deadline of this year!